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Her goal is to incorporate digitalisation at the production plants of all the Airbus divisions.

Moreover, the difference between Ohlen's and Isenfels's ways of seeing the Herion dancers suggests a large degree of instability in the image of dance and of the modernity of the body.

By this time private schools dedicated to the teachings of the master flourished throughout Germany and in Stockholm, Paris, London, and Geneva.

Biographies of Mata Hari invariably teach an archaic moral lesson that more modern innovators in nude dancing were anxious to discredit: that naked dancing actually hides something, a "secret" life whose treacherous desires can have disastrous consequences for entire nations.

A few months later, he repeated his claim that dance, "the most primordial and mysterious of all arts," brings dark vibrations of the unconscious into an "ecstatic light" "Tanz und Ueberschwang," 272.

Having a tenuous pedagogical relation to particular strands of Nacktkultur, modern dance easily tended to situate itself within this constellation whenever it employed nudity.

[1] Dalcroze wrote many occasional articles on rhythmic gymnastics, but he lacked the temperament to produce books, which might have presented his manifold thinking in a sustained, systematic, and comprehensive manner.

I owe a great debt to several libraries at which I spent many exciting days: the New York Public Library, the New York Public Library for the Performing Arts, the Library of Congress, the San Francisco Public Library, the Bancroft Library at UC Berkeley, the Research Library at UCLA, the Sutro Library in San Francisco, and the library of UC San Francisco.

The evolution of modern dance generally not just nude dancing depended on the still image of the dancer projected by the visual arts, chiefly photography; yet modern dance, with its stress on the liberating effects of movement, sought quite consciously to release the body, especially the female body, from the imprisoning images of it dominating premodern consciousness.

[1] With Mata Hari, then, we encounter an extravagant manifestation of the myth-bound perception that nudity urges us to inquire about the life of the dancer rather than about the significance of the dance itself.

Mensendieck had not introduced any significant changes in her system since 1896, but her students modified it to accommodate social-cultural realities that had changed for them, if not for Mensendieck.

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