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He has never stopped acting in his own films, often sharply funny comedies, which mix intimate lines of questioning with political preoccupations.

Drawing upon the raw material of everyday life, his meticulously crafted films rework and transform reality, playfully exploring and exposing the language of cinema.

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They pass away time by wandering around on their motorcycles and by directing their aggressive feelings towards Arab immigrants.

At first, he aspired to be a painter, but turned to the art of filmmaking that he studied at the University of Southern California.

As one external sign of his mortality, Manoel leans heavily on a cane when the group leaves the car to view one of the locales of his youth, but at the same time, Manoel is still lively and flirtatious, in a weary fashion as befits his age and declining health.

One day she offers shelter to a man who is evading justice, and she ends being arrested herself.

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The film marked his first encounter with Robert De Niro, with whom he was to shoot eight films.